Outlet Store
Here you will find discounted products that have been found to have minor damage that does not affect performance.
Laptops
Apple MacBook Pro 16″ M1 Pro
Out of stock
Apple MacBook Pro 13” M2
Out of stock
HP Victus 16-e0174nw
Out of stock
TVs
Apple MacBook Pro 16″ M1 Pro
Out of stock
Apple MacBook Pro 13” M2
Out of stock
HP Victus 16-e0174nw
Out of stock
Smatrphones
Apple iPhone 15 Pro
In stock
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USB-C Compatible with USB 3 (up to 20x faster data transfer)5 |
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SAMSUNG GALAXY A55 5G
Out of stock
Apple iPhone 16 Pro Max – Garanzia Italia Celocity Roma
In stock
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Chip A18 Pro con GPU 6-core |
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Super Retina XDR 6,3" |
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Video Card |
Dolby Vision 4K a 120 fps |
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Wi-Fi 802.11 a/b/g/n/ac/6e/7, tri-band, hotspot |
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Front Glass: Ceramic Shield (highly durable and scratch-resistant) , |
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Apple iPhone 16 Pro – Garanzia Italia Celocity Roma
In stock
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SOS Emergency |
Samsung Galaxy S25 5G 512GB 12GB Ram Mint Europa
In stock
Vacuum Cleaners
Apple MacBook Pro 16″ M1 Pro
Out of stock
Apple MacBook Pro 13” M2
Out of stock
HP Victus 16-e0174nw
Out of stock
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that's unhappy for a reason is a problem, a client that's unhappy though he or her can't quite put a finger on it is worse. Chances are there wasn't collaboration, communication, and checkpoints, there wasn't a process agreed upon or specified with the granularity required. It's content strategy gone awry right from the start. If that's what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.